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Gravey

437 Audio Reviews

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Hee Hee...

This is nifty if you ask me. Granted I wouldn't throw it in my faves, but at the same time this is enjoyable.

I'm not sure how the rhythm could be considered "silly." It's a pretty straight forward pop rhythm really, maybe with a little bit of house influence in it.

I think there are good things about this song, but there are some iffy things. I think you could have cleaned that bass synth a bit. I don't think it really fits the mix very well at the moment. I would go with something cleaner personally, because the lead off beat synth is dirty enough to give this song a bit of personality.

I do like it dirty at the beginning and end though. When the song starts up it sounds just fine because the mix really needs something dirty in it. But once the other synths kick in I would have changed it to something cleaner is all. Make the mix a bit cleaner.

Other than that though I really enjoyed this actually. Not my typical listening style, but a nice change a pace. Enjoyable to say the least. Nice work here bud.

5/5 and 8/10 overall. I gots to give you a 5/5 to help fend off all the zeros you just got. You got hit hard. :-/

-Gravey-

b0b3rt responds:

Thanks =)
I'm still working on this, I'll probably get an updated version up tomorrow.

What can I say...

...I love me some metal! This is great man! I am really enjoying this.

I like the riffs and the flow of the song a lot. It really melds together quite well. You have a solid mix going here with the guitars and drums for sure, which is crucial. I think you could bring out the bass in the mix a bit, cause I'm not hearing much bass at all. I think I hear it hiding in there, but I could be mistaken. :-P

Now my one major dislike was the flanger on the one guitar. I don't know why, but I personally didn't dig that in this song. That is personal opinion though, I'm sure you can take it or leave it for what it is worth easily enough. Despite that I loved this little tune quite a bit.

5/5 and 9/10 overall.

-Gravey-

mr-jazzman responds:

Thanks for the feedback broski, I always love me some feedback! =) Yeah, there was a point where I thought the flanger was a bit much. Honestly, I was working with a new piece of equipment, so I didn't know how to take it off, but I don't think it really detracts from the song all that much. However, I respect your opinion; you can't please everybody with EVERYthing after all!

As for the bass, I'm gonna look into that. I think the main reason that I didn't turn up the bass more is cuz, while producing this song, there were points where the bass was EXCESSIVELY loud, and it really pissed me off cuz the bass is not typically a lead instrument, like, EVER. So, I had to do some research and find the bass's niche in the mix. It took a while, but I think I may have POSSIBLY found it. Now, the problem is that it's TOO quiet, so I'm gonna have to check that out. I think a lot of it has to do with the way the bass was played as well. Maybe if I brought it up a little in the mix, and then made it harmonize better with the guitar? Not entirely sure yet, but I'm gonna have to do some experimenting. Also, boiling the strings might help; the strings on the bass are so dead atm lol =P

Thanks again for your review, much appreciated! And gl in the NGADM man! =)

Eh...

To be honest, you come off as very whiny, preachy, and self righteous in your author's comments. Next time just say, "I wrote this" and be done. The rest of what you said was a bunch of whiny garbage that had absolutely nothing to do with the song.

As for the piece itself, I find it highly unimaginative. It's a bunch of brass and percussion hits congruent with spiccato strings hitting on the offbeat between those. Doesn't really do much other than that really, and considering the quality of your samples you should be able to do much better.

Now I know, this is a simple remix of a Zelda song, which kind of goes back into my unimaginative comment. This is boring, even for a remix really. What have you done here that really distinguishes it from the original? I'm no big gamer really, but I've played Zelda once or twice and I know that this doesn't really push the boundaries at all in terms of remixes.

The vocals you recorded for this are awful. Flat out awful. I'm not sure what you were drinking when you recorded the vocals but they are flat out bad and should be fixed. First off, lower them in the mix. They are way too loud in the mix and really get in the way of the song itself. Scond, I would add some reverb and maybe filter them slightly just to make them sound more distant. You know, give it a spacial effect. It would really help them out a lot.

Or you could just get rid of them. That would probably make more sense really. They just don't fit at all.

There just is nothing that fascinating about this song. The composition isn't that great, which in my opinion is pretty consistent with Zelda games. So considering it's a remix I can't hold that against you too much, but then again I can because you remixed a really dull piece and it came off just as dull if not more so than the original.

So what could you do overall to make this better? I would actually create some sort of a distinguished melody line. Video game music typically lacks a true melody because it is background music. They want you focusing on the game, not the music. Thus the music is often lacking in terms of melody, and this song lacks that definitely. Add a melody that is halfway catchy and interesting to listen to. Right now this just lacks anything for the listener to really catch onto.

Also, do something with the percussion. All it does for the most part is land on the downbeat (just like those brass hits.) Congrats, I got the idea. There is something big and bad and it is going to try to eat me. Thus epic downbeat facepalming throughout the entire song, which gets rather obnoxious after a while. Maybe you should try varyinng the percussion so it does something other than land on 1-2-3-4 all the time. Or lets be honest, on 1-3-1-3 all the time. For the most part this song lives on beats 1 and 3. Which once again kind of gets back into the unimaginative angle I've been talking about in this review. Just 1-3-1-3-1-3-1-3 omg let me guess, the next section will be hitting me in the face on beats 1 and 3? Oh I'm psychic! *Sigh* there I go again mixing sarcasm with critical judgements on a song. But then again, if you got facepalmed on beats 1 and 3 for over 5 minutes you might be a bit sarcastic in your review as well.

There is just so much that could be done with this. It's a good foundation at the moment. But if I had the quality gear you are obviously working with I wouldn't be halfway done with it yet.

3/5 and 6/10 overall.

-Gravey-

It's Interesting...

This is rather chill in my opinion. It works very well as background music, and I have had it on loop for a while now as I talked to friends on MSN.

First off, the overall mix is pretty good. There isn't a lot of different instruments/synths, so I'm guessing the mix was pretty easy. That being said, you did well with creating a nice overall tone for this song.

Now I'm not crazy about the synths myself. They just don't do much for me really. They are fine as background music, but once I focus in on the song intensely I start to lose interest.

The rhythms in the percussion sound good and have a nice tone to them. They are pretty simple in nature, but really add a nice touch to the song. They aren't overly complicate, yet they help give the song a fuller sound by being there. Nice job with the percussion.

I could see this song as the background music for a overhead view sci-fi starship shooter. It just seems like it would fit nicely as background music for that sort of game.

4/5 and 8/10 overall.

-Gravey-

Very Nice...

I enjoyed this quite a bit my friend. The composition is quite nicely done. I think that you could have far more of a buildup, and even more so of a final powerful cathartic section. But despite that, this is quite a pleasure to listen to.

I think the big thing for you is to improve your sample library. It seems to be lacking. I'm not sure what you are using, but I would recommend getting something along the lines of EastWest gear or even ProjectSam stuff. Both are well worth the money, and you would benefit greatly from the upgrade in samples.

As a piece I enjoyed this greatly. But it never truly had that all powerful climax. It just needed a little something more for me.

5/5 and 9/10 overall. Nice work here my friend.

-Gravey-

PenguinSam responds:

Hmm...yes, I can see that. The most trouble I had was finding a powerful climax. Perhaps a different ending is within order.

As for the sample library, it actually sounds very nice. So nice, that Finale can't save MP3 files using these samples. I have to use online converters which inevitably decrease the quality.

AS for the buildup, I recently thought about adding an entire new section to the begining. I think that I will, and that it will add quite the contrast as well.

Thank you for the review. It was, as always, very insightful!

<PS>

Well...

It is interesting for sure. It could really use more layers though, at least that is what I garner from a couple of times listening through this. Right now it just sounds like a sort of gated trance lead with a filter effect making it sound as though it is going in and out of it's natural sound.

I like the kick/bass you used. It has a very deep and rich sound which helps to fill up space. I'm not sure if it is a simple kick or a bass. In the beginning it sounds quite a bit like a kick, but towards then end when it comes out in the song more it sounds more like a bass playing the same note over and over. Either way it sounds good in the full mix.

This needs some real percussion in it. I don't mean like a trap set or anything like that. But some sort of percussive hit would be nice to go along with the straight downbeat thump you have going on. Right now there just isn't much going on and I think that should be remedied.

There is a second sort of beeping synth I heard in the last halfish of the song. I'm not sure whether I liked it or not, but it is there and is worth mentioning. I think I would like it more if there were more layers to distract me from it a bit more. Right now it just seems like there is only three layers to the entire song, the lead synth, the beeping synth, and the bass/kick.

3/5 and 7/10 overall.This needs more layers, a lot more. That is the best advice I could give for it right now.

-Gravey-

jbarnett responds:

First off, thank you for the review.
Second, as you should know, I have no good percussion in my possession :-/. If I did, I would definitely add some more to it.
If you feel like helping out, you are more than welcome to send me some samples or something.

Hee-Hee...

Well despite the awful production I kinda enjoyed this actually. Sometimes it is just nice to sit back and listen to something really gross and incoherent. I do believe that is why I enjoy Napalm Death's older stuff.

As for this song in particular, I want to start with the production. To be honest and fair, it is very bad. My headphones blew out, and I can't get a great grasp on any clipping issues with anything other than the vocals. But it feels like it is clipping constantly in my speakers, even though I can't really identify it.

The worst part is what you did with the vocals. You should have cleaned them up a bit. Now I'm not talking about changing the vocals, but rather changing the compression/EQ/and other effects on them. They come through oddly very many times throughout the song, almost as if you have them running through an amp and peak out the amps abilities in sudden instances. Also, the vocals are not consistently on the same mix level in the overall ensemble, which leads me to believe that when you recorded you were getting closer and farther away from the mic throughout the song. Make sure when you record you are the same distance from the mic at all times to get a nice flat level. That should help your vocals a lot in the overall mix.

Now moving onto the actual composition. I actually like what you have written in both the guitars and for the set. They fit with each other, even if their mix is quite odd. By that I mean at times the bass is quite overpowering and should be lowered a smidge, and at other times it isn't noticeable at all. I think keeping the levels consistent and getting a good even recording of your instruments before putting them in the mix would help the overall sound of this very much.

Also, I would worry about making it so in your face. Lower your compression a bit, it does sound like you are compressing the song quite a bit. Now I know that in popular music, and that includes metal of nearly all forms, that compression is overused. The louder the song the more people will like it because it sounds "better" to them. But this isn't the case to be honest. Sometimes being a little quieter and having a better tone can go a long way in making sure you get a good solid overall mix. It is just something to thing about.

Keep this up though man. I did enjoy this for the most part, especially when I focused in on what was actually going on in the song. Your production techniques are poor, but I hear good things in this despite that. And production techniques can only be learned over time through practice. So keep at it. :-)

3/6 and 5/10 overall.

-Gravey-

Pure-Metal-UTA responds:

Lots of things to go over then.
Starting with the clipping, I actually don't know how to get rid of any clipping in a song. I was told to normalize the track, but whenever I right clicked and clicked normalize, nothing would happen. So yeah, if you know how to get rid of clipping on Reaper, please tell.
Vocals, Changing the effects so that they sound better. As for the different levels. I keep my mic at the same distance at all times, it's just that I haven't mastered low growls yet, so whenever I try to keep a good level with the low growls, I can't, and the only thing I can do to stop that is more practice.
The bass, I actually used DSK Bass, and it's really fucked to put it simply. Some notes are extremely overpowering on it, while others are barely noticable, like you described. It's extremely difficult to try and get it at the same level, so I might just either get a new Bass VSTi or get a real bass.
I actually never thought that I had such high compression on my song, I only used compressors on the drums and the vocals. However, the VSTs I use to record might affect the compression. I'll be sure to look into that and see if I can't fix it.

As for the poor production, I had a poor computer. Key word HAD. I just got a new computer today and It's much faster, and much better. Because of that, my production value should be much better.
Hooray for new computers!

Thanks for the review, it's much appreciated.

Not Bad...

...but it is a little to 3 Doors Down for my taste. Now I'm not saying it sounds exactly like a 3 Doors Down song, but there are moments that reminds me a lot of 3 Doors Down. Especially the intro, which I found to be quite drab.

Once the song picked up it wasn't all that bad. I think the guitar work is interesting, but nothing mind blowing. The riffs were pretty standard and unremarkable, which is why I think I am not digging this tune as much as your other work. I think there could have been a bit more work done on the rhythm guitar parts to make it more interesting.

The leads are quite wonderful, especially when they pick up around the 3:00 mark. You really seem to have gotten into it and really came up with some intriguing progressions at that point. Nice work on that section, it was by far the most interesting and unique part of the song.

The song flowed very well for the most part. There wasn't anywhere in the tune that I felt there was a sudden and unnecessary change in direction. Every section led into the next quite nicely, and the song built as it went along. So there was this buildup and release going on throughout the song that really made it feel quite wonderful in my ears.

The percussion was spot on throughout the entire tune. Not only was the sound quality good, but what you wrote really fit well with the guitars. I can't find anything negative to say about the percussion, so kudos to you for that my friend.

This song as a whole has a very nice radio quality to it. It sounds like it would fit on both a metal and rock radio station, because it has that rock groove and metal edge to it. I do however think that a solid keyboard/piano part and vocals would really make this mainstream, which is a compliment. A lot of people say "I hate mainstream!", but your style and quality of sound would fit very nicely on many radio station's playlists. Just need some vocals and possibly a keyboard part to give it that finishing touch.

4/5 and 8/10 overall. Good solid song, but this one just didn't grab me like I said. Could definitely hear this playing on a radio station if it had vocals, but I don't listen to the radio. :-P

-Gravey-

Metaljonus responds:

LMAO! 3 doors down lol how gay of you gravey! I approached this song with simple on my mind. Yeah it may not be your taste but it was what I was going for. Something melodic simple and fun. It would be cool if this was on the radio but I don't listen to the radio either lol. This song is'nt really meant for vocals but it would be interesting to hear it with someone who can sing on it. Key is'nt a bad idea either! Thanks for you super sexy review dude! :)

<3 u

Well Then...

This is quite interesting and extraordinary. I understand how the "vocals" and song title coincide with each other. But that being said, the sampled vocals are awful. I would get rid of them as soon as possible. The "Shake it, don't break it" line got very old very fast. :-P

The song itself has this weird nostalgic "I'm from the 80's and I'm floating through space" feel to it. I'm not sure if that makes sense to you, but that's the vibe I got when listening to this song. And do not think by any means that is a bad thing.

I like the weird mix of pads, detuned chimes, strings, and the muted trumpet. It really has a weird yet mindless positive vibe to it. The muted trumpet could have been dropped around the last half minute of the song in my opinion. I think it was just too much in the ending portion of the song.

Lastly, I really liked the percussion. It sounded great, albeit rather simple. Nice work there indeed.

4/5 and 8/10 overall. It is a good solid song, but I wouldn't say it is a great song. :-P

-Gravey-

Great Foundation...

This has the foundation of being something great. What I mean by that is that the different instruments and synths mesh very well, and that the structure of the song itself flows and builds quite nicely.

I do however think there is some room for improvement. First off I have to say the piano is a bit iffy. For one, it clips a bit still. I know you fixed a lot of the clipping, but I still hear some during the piano section.

Second, the snare during the piano section and on towards the end really covers up the mix when it plays. Listen to when it rolls, and how the rest of the ensemble gets hidden behind it. What that tells me is a lot of instruments are playing around the same frequencies, and that the snare is just overpowering them. I would look into either changing the pitch of the snare, or changing up the mix a bit so the other instruments are predominantly on other frequencies. Either way, I would do some work there for sure. I know how hard it is, especially in FL. For some reason FL is a lot harder to mix in than other DAWs I've used, especially when compared with Pro Tools.

The piano is where I want to focus next. I mentioned it earlier, but I would like to focus on it in more detail now. What you have written is nice enough, nothing really there I can complain about personally. It is a bit simple, but I actually like it a lot because it creates tension and sets the mood. But the piano itself sounds shaky. It sounds as if you have some iffy compression and reverb work on it. My ears seem to feel like you compressed it after adding reverb, which gives it that weird vibe creating an unstable sound. That is just what my ears are telling me, it could be something else. But from the sounds of it the compression and reverb is having some adverse affects on each other creating a warbly sound.

The beginning of the song sounds pretty cool. You did a nice job using different synths to grab the ears and hold them hostage. My attention was definitely grabbed right away and you never lost it. So kudos to you there.

I really like the style you are going here overall. My favorite part is when the full ensemble hits at 2:24. The mix of synths and orchestral samples really has a wonderful mood and atmosphere to it. And the ending is perfect in my opinion. It is simple and to the point, and fits the song wonderfully. Nice job with the last portion of the song indeed, it really was my favorite section.

Lastly the percussion was very tasteful. Your rhythms fit very well and enhanced the song and mix tremendously. Nothing stood out obnoxiously, yet there was enough life and detail in them that kept my foot tapping the entire way through the song. I do think however some slight glitch work on the percussion would have been nice. Maybe a slight retrigger here or reverse there would have added that final sparkle to an otherwise solid percussion line.

This is a really good song my friend. I hope my review was helpful. :-)

5/5 and 9/10 overall. Nice song, very nice indeed bud.

-Gravey-

Theledge93 responds:

Wowsers! i'm glad you lked it enough to write that much. i did have a problem with edirol, becuase it's normally much quieter than all the other plugins i own. so i had to put it in EQUO and raise the volume after i did tht, i had a hard time balncing out the intruments in the actual Edirol panel ,and i pretty much just said Fuck it. so I kinda gave up on that aspect. (and the "snare" is actually a timpani!!!!)

The synths i actually used a guitar amp emulator to get the sounds. it sounds great in my opinion.

Once again I absoutely love each and everyone of your reviews they are extremely helpful, and i'm glad you put in as much time as you do.

If you would like me to compose audio for a flash, please send me a private message on Facebook. I will respond as soon as I receive your message. https://www.facebook.com/graveystudios

Age 38, Male

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